Look at the awkward French joke I’ve made for the title of this post! Yay. Now let’s look at my new incredible bloomers I’ve made for summer sleep times. I also made a matching pj top, self-drafted but based on one I saw at Gap of all places.
I’ve secretly been dreaming of bloomers for infantile big people like myself for a long time; I have this vision of going to visit my friend Sophie in Cornwall and going to the seaside to go rock-pooling in Liberty-print bloomers.
As a first stab though, these make for very sweet dreams. I love the panda-breads and panda-pastries; they delight me every time I look down at them.
Top is self-drafted, bloomers are adapted from the free Madeleine bloomers pattern by Colette (added a few inches of extra waist length). Fabric is from Miss Matatabi.
My sweet little cousin across the pond is already turning two! Last year she got a romper and bonnet/blouse set. This year she’s getting… apples! And hedgehogs, and some Liberty fabric from her great-grandmother.
Bloomers pattern from Wiksten. Bonnet pattern free from Purl Soho. Apple/hedgehog double gauze from Miss Matatabi. Vintage tana lawn from my Grannie.
My two sewing passions right now are Nani Iro fabrics and Named Clothing patterns.
I bought the pattern for the ubiquitous Named Clothing Inari Tee at the new Ray-Stitch shop a few months back. I want to make at least half a dozen of these tees in Nani Iro double gauze for my summer work wardrobe, but first – a dress!
I added a gathered skirt. In my usual way with these Japanese fabrics, I just used the full width (selvedge to selvedge) to avoid raw edges. It’s such narrow fabric that it just makes sense.
The fabric was from one of my favourite online shops, M is for Make.
I’ve been meaning to make a more solid pair of summer pyjamas for ages, given the amount of wear I get out of my two pairs of Lakeside pjs. But they’re a bit indiscreet when my mum has friends round for dinner, and I’ve been hankering after a more classic option.
I chose to make Closet Case Files’ Carolyn Pyjamas partly because Canadians are awesome and partly because it’s really the best classic pj pattern out there at the moment.
I used a woven stripe double gauze from Miss Matatabi which is super soft. About two weeks after buying the fabric, a wider stripe became available and I do slightly wish I’d used that instead, but hey-ho, what I’ve got is still pretty perfect.
I wanted to keep things simple so I omitted the piping in the pattern. I’m also rather chuffed with my stripe matching generally, given the reluctance of double gauze to stay still when going through the machine.
Buttons were purchased after much pawing through boxes of vintage treasure at The Workroom in Toronto. I like how soft they are.
I’m a bit addicted to Japanese double gauze, and in combination with this have spent the past few months obsessing over every tiny glimpse of the Cotton + Steel x Rifle Paper Co fabric collection collaboration, Les Fleurs. Under all this pressure, when I saw this incredible floral print at Miss Matatabi I was instantly enchanted.
Clearly a new summer dress was necessary! I drafted the bodice from Simplicity 8523, raised the waist, added a gathered skirt and pockets, and got rid of the pesky facings. Last time I used the blouse pattern was for my Growing Fonder top, and the facings really are annoying. I’m fully a convert to hidden bias tape finishes now.
Anyway, this dress is absolutely great. I love it!
Two sheep posts almost in a row! I hope, dear readers, this does not induce extreme sleepiness in you. On the other hand, if all this sheep sewing has tired me out, I now at least have summer pyjamas to hand.
This is my second pair of Grainline Studio’s brilliant Lakeside Pyjamas. Hard to believe – the first pair was made over two years ago (pre-blog)! I’ve been wearing the first pair a lot recently, and thought it would be nice to mix it up with a new version. In case you’re wondering, version one is in Lizzy House Constellations fabric.
The bias binding tape (as you can see in the photos) was really gross. I usually use nice soft satiny bias tape from John Lewis and it works beautifully. This stuff was from Fabricland and it is stiff and plasticky and has deformed the sheepy double gauze. Sad face!
Also I maybe only bought 3 metres of bias tape, because who ever heard of needing 7 yards of bias tape for one project?! Thankfully the tape was really wide, so I just sliced it in half down the middle, along all three metres of it. In the end I had about 30cm left over.
This project was eked out of the margins of the cutting layout I used for my mum’s Camber dress. Lots of refolding here and there and skimping on seam allowances to get the pieces out.
Despite the bias tape, these pjs are THE BEST. Also, why do Americans spell pyjamas “pajamas”? So weird. Reminds me of “llamas”.
My mum loves sheep and I love my mum. When I saw some ochre sheep double gauze at Miss Matatabi Fabric I knew what I had to do… sort of. Actually once I had finally figured out that I wanted to make a Merchant & Mills Camber Set dress, I had to go buy another metre and a half because Japanese fabric is always so much narrower than anything listed on a pattern envelope.
I sewed this on the great new sewing machine my dad bought for my mum at Christmas. It’s an Elna, it lives in Canada and it replaces the dearly departed Singer machine which my mum made all my best dresses on when I was a bairn. You can glimpse the old Singer here. According to the sewing machine repairman, it was a rubbish model with plastic gears and stuff. The new Elna works like a dream.
Anyway: the dress. Here she is. All French seams everywhere because I’m obsessed with finishes. I really hope it fits my mum! She was in England at time of sewing, so no fittings were possible. It’ll be waiting for her when she arrives in a few weeks.
I also managed to eke out a set of Lakeside pyjamas from the fabric around the edges, which I thought was fairly impressive! Pyjamas to follow in another post.
Final pic with a very dirty window and orange day-lilies outside: